SEARCH
Warenkorb
Warenkorb wird geladen
Tickets kaufen

Select Tickets:

Select Day:
  • mumok Ticket
  • Regular
    0,00 €
  • Reduced – Students under 27 years of age
    0,00 €
  • Reduced – Seniors aged 65 and over or with a senior citizens pass
    0,00 €
  • Reduced - Children and young persons under 19
    0,00 €
Opening hours

Tuesday to Sunday

10 am to 6 pm




Struth, Thomas

Audience 3 (Galleria dell' Accademia) Florenz

2004
© mumok
Object description C-print, Diasec
Object category sculpture
Material
Technique
Dimensions
Rahmenmaß: height: 185 cm, width: 303 cm, depth: 3,5 cm
Objektmaß: height: 178 cm, width: 297 cm
Year of acquisition 2005
Inventory number MG 19/0
Creditline mumok - Museum moderner Kunst Stiftung Ludwig Wien, erworben mit Unterstützung des mumok Board
Rights reference Struth, Thomas
Further information about the person Struth, Thomas [GND]
Literature Hyper Real
Why picture now/Fotografie, Film, Video, heute

For eighteen years German artist Thomas Struth has been taking pictures of visitors to museums. The photographs of his “Audience”-series were taken in 2004 on the occasion of an exhibition at the Galleria dell’ Academia, Florence, that was organized to celebrate the fifth centenary of Michelangelo’s David statue. In contrast to his earlier museum photographs in this series Struth concentrates only on the visitors. The larger-than-life statue itself shows up in none of the pictures. Yet its aura is somehow reflected in the visitors’ sculptural postures and their upturned gazes. Struth’s idiosyncratic perspective makes visible the various aesthetic and social aspects that determine how art is approached and perceived: the relationship, for instance, between institutional space, art and a public whose reaction ranges from the package tourist’s boredom to a quasi-religious devotion; or the physical presence of the visitors and their relations with one another. Struth’s pictures are neither staged nor digitally modified. For this series, he showed up daily at the gallery, taking pictures for several hours over a time-span of almost two weeks. From the countless photographs made he then selected ten.