SEARCH
Warenkorb
Warenkorb wird geladen
Tickets kaufen

Select Tickets:

Select Day:
  • mumok Ticket
  • Regular
    0,00 €
  • Reduced – Students under 27 years of age
    0,00 €
  • Reduced – Seniors aged 65 and over or with a senior citizens pass
    0,00 €
  • Reduced - Children and young persons under 19
    0,00 €
Opening hours

Tuesday to Sunday

10 am to 6 pm




Albers, Josef

Study to Homage to the Square. Blue and Dark Green surrounded by Light Green

1957
© mumok
Object description Oil on hardboard
Object category painting
Material
Support: Hardboard
painting layer: oil paint
Technique
object: oil paintings
Dimensions
object size: height: 41 cm, width: 41 cm
frame dimension: height: 42,7 cm, width: 42,7 cm, depth: 3,5 cm
Year of acquisition 1966
Inventory number B 124/0
Creditline mumok - Museum moderner Kunst Stiftung Ludwig Wien
Rights reference Bildrecht, Wien
Further information about the person Albers, Josef [GND] | Albers, Josef [ULAN]
Literature Studies in the Decorative Arts Volume XVII Number 1
Genau und anders :Mathematik in der Kunst von Dürer bis Sol LeWitt
Fotografie als Motiv : Aufnahmepraxis . Variation . Reproduktion . Autorinnenschaft . Reflexion
Josef Albers : Huldigung an das Quadrat 1950 bis 1976 : ein Beitrag zur Kunst des zwanzigsten Jahrhunderts

Standardized, often industrially-produced, component parts are assembled by Carl André into simple, basic geometric forms. This use of prefabricated materials with their loose ordering of simple and identical elements within the work and their reference to the floor and gravity are essential characteristics of André's opus. The material stays what it is and does not indicate anything else. The equality of the elements also dissolves the hierarchy of centre and periphery within the work’s structure. This principle corresponds to the fact that for these sculptures there is no ideal viewpoint. The idea behind this is, above all, a radical turning away from the tradition of illusionism. Minimal art does not want to depict or portray anything, even in the abstract. It only seeks to set something down, to place it. The interaction between object, space, and viewer is the centre of attention.