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Due to renovation work, not all exhibition levels are accessible. Detailed information on the current exhibitions and admission prices can be found here.
Öffnungszeiten

Tuesday to Sunday

10 am to 6 pm




Exhibition |

July 5, 2024 to February 1, 2026

Mapping the 60s
Art Histories from the mumok Collections

Mapping the 60s

Curated by Manuela Ammer, Marianne Dobner, Heike Eipeldauer, Naoko Kaltschmidt, Matthias Michalka, Franz Thalmair

The exhibition Mapping the 60s is based on the thought that substantial sociopolitical movements of the twenty-first century have their roots in the 1960s. Black Lives Matter and #MeToo, for example, have built on the anti-racist and feminist upheavals of yesteryear—as have current debates on war, mass media and mechanization, consumerism, and capitalism.

The developments of the 1960s in general and the events around 1968 in particular are not only paradigmatic in social and political terms, but also essential with regard to cultural policies. In 1962, the Museum des 20. Jahrhunderts was founded in Vienna, a precursor of mumok, whose collection focuses on Pop Art, Nouveau Réalisme, Fluxus, Vienna Actionism, performance art, Conceptual Art, and Minimal Art—artistic movements of the 1960s. Even when we ask ourselves how to address art history today and make it productive, we encounter discussions that go back to that decade.

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Exhibition view: Mapping the 60s. Art Histories from the mumok Collections Duane Hanson, Football Vignette / Football-Vignette, 1969 Robert Indiana, Love Rising / Black and White Love (For Martin Luther King) / Love Rising / Schwarze und weiße Liebe (für Martin Luther King), 1968,
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Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
Duane Hanson, Football-Vignette, 1969
Robert Indiana, Love Rising / Black and White Love (For Martin Luther King), 1968
Photo: Klaus Pichler / mumok

 

Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
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Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
Konrad Klapheck, Triumph der Zerstörung / Triumph of Destruction, 1970
Domenico Gnoli, Tie, 1968
Yoko Ono, White Chess Set, 1966
Photo: Klaus Pichler / mumok

 

Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
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Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
Raymond Hains, Seita, 1964
George Segal, Woman in a Restaurant Booth, 1961
Photo: Klaus Pichler / mumok

 

Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
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Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
Roland Goeschl, Großer Farbwürfel, schrägstehend / Large colour cube, slanted, 1967–1968
Getulio Alviani, Superficie a testura vibratile, 1965
Bridget Riley, Nineteen Greys, 1968 (Portfolio: 4 Silkscreen prints on cardboard)
Photo: Klaus Pichler / mumok

 

Exhibition view: Mapping the 60s. Art Histories from the mumok Collections Jann Haworth, Snake Lady / Schlangenfrau, 1969–1971 Sine Hansen, Beglühte Sicherheit / Illuminated Safety, 1965 Sine Hansen, Großer Steinbeißer / Large Spined Loach, 1966 Sine Hansen, On Top / Oben, 1967 Sine Hansen, Good Morning / Guten Morgen, 1970
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Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
Jann Haworth, Snake Lady, 1969–1971
Sine Hansen, Beglühte Sicherheit / Illuminated Safety, 1965
Sine Hansen, Großer Steinbeißer / Large Spined Loach, 1966
Sine Hansen, On Top, 1967
Sine Hansen, Good Morning, 1970
Photo: Klaus Pichler / mumok

 

Exhibition view: Mapping the 60s. Art Histories from the mumok Collections Sophie Taeuber-Arp, Kopf / Head, 1937 Germaine Richier, Le Griffu / Das Krallenwesen, 1952 Olga Jančić, Die Vorbeigehenden / Passersby, 1960
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Exhibition view: Mapping the 60s. Art Histories from the mumok Collections
Sophie Taeuber-Arp, Kopf / Head, 1937
Germaine Richier, Le Griffu, 1952
Olga Jančić, Die Vorbeigehenden / Passersby, 1960
Photo: Klaus Pichler / mumok

 

Sine Hansen: On Top. Painting of a safety pin and a red heart on yellow background.
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Sine Hansen, On Top, 1967, mumok – Museum moderner Kunst Stiftung Ludwig Wien, on loan from the Austrian Ludwig Foundation, since 2021, © Nora Meyer

 

The second part of the exhibition, with a focus on Fluxus, Happening, Nouveau Réalisme and Vienna Actionism will open on level -4 in December 2024. 

Sponsor
 Logo: Uniqa
Patron
 Logo of Peter und Irene Ludwig Stiftung
Patron