Object description | 4 sheets of pencil on paper |
---|---|
Object category | sculpture |
Dimensions |
Rahmenmaß:
height: 124,2 cm,
width: 52,1 cm,
depth: 3,8 cm
Detailmaß:
height: 28 cm,
width: 43,2 cm
|
Year of acquisition | 2004 |
Inventory number | G 1105/0 |
Creditline | mumok - Museum moderner Kunst Stiftung Ludwig Wien, ehemals Sammlung Hahn, Köln |
Rights reference | John Cage Trust |
Further information about the person | Cage, John [GND] |
Literature | Sons & Lumières. Une histoire du son dans l'art du XXe siècle |
John Cage’s willingness to open his compositions to the unpredictable and the instantaneous makes him a key figure above all from American Art from the fifties and sixties. Inspired by Asian thought he comprehended his work primarily as organizing intentional and coincidental listening experiences within a certain time-frame. In the early fifties he also integrated visual elements into his compositions and develops them to complex media-pieces. Thus, in “Water Music” the element of water not only sets the theme - as in Georg Friedrich Händels "Water Music" - but literally becomes part of the composition. The score demands that the pianist pours water from one vessel to another, and submerges and resurfaces a pipe. The piano must also be prepared by inserting objects between the strings, a radio must be switched on and off, and a pack of cards must be used. The audience can follow all these activities, which are meticulously timed down to fractions of seconds, as the ten-page score is exhibited on the podium like a poster for everyone to see.