Tuesday to Sunday
10 am to 6 pm
Object description | Oil over charcoal on paper |
---|---|
Object category | painting |
Material |
Support:
paper
|
Technique |
object:
oil paintings
|
Dimensions |
object size:
height: 21 cm,
width: 31 cm
frame dimension:
height: 48 cm,
width: 58,5 cm,
depth: 5 cm
|
Year of acquisition | 1978 |
Inventory number | B 561/0 |
Creditline | mumok - Museum moderner Kunst Stiftung Ludwig Wien, Schenkung Rosemarie Schwarzwälder |
Further information about the person | Klien, Erika Giovanna [GND] |
Literature |
Laboratorium Moderne/Bildende Kunst, Fotografie und Film im Aufbruch Erika Giovanna Klien : 1900 - 1957 ; eine Ausstellung des Museums moderner Kunst im Museum des 20. Jahrhunderts, Wien, 30. März - 10. Mai 1987 Hauptwerke des Museums Moderner Kunst in Wien : von Gustav Klimt bis Andy Warhol ; Frankfurter Kunstverein, Steinernes Haus am Römerberg, Frankfurt am Main, 26.8. - 1.10.1989 |
The artist Erika Giovanna Klien, who was born in Borgo di Valsugana in Trentino, studied from 1919 to 1924 at the Vienna School of Arts and Crafts which since the days of the Secession had the reputation for being a progressive educational institution and workplace for visual artists. Following the Jugendstil tradition, courses were given in ornamental forms under the leadership of Franz Cizek. In the first half of the Twenties this lead to an intensive discursive examination of with the international avantgarde. Taking as his model Italian Futurism and its visualization of dynamic processes of movement as the central artistic concern, Cizek developed so-called kineticism. “Kinetic Composition (Head and Hands)” by Erika Giovanna Klien, the most independent of Cizek’s students, is a prominent example of this trend. Despite extensive abstraction, there is still a residual representationality — the folded hands and one head at the top left. These could be completely cut out, however, to be replaced by pure forms completely disassociated from natural motives.